The President and Mr. Miller
Bode Miller was the perfect candidate for the packaged American Hero, a good-lucking lad who played the rebel to perfection for the image-makers, and ran with the hype and the credit card ads to the 2006 Olympics. Miller was a portable symbol of American lone rangers, the guy who did it his way and reached for the gold. Except he didn't reach. He turned up hollow and empty and unwilling to sacrifice. He skiied off the course, and he skiied off the story-line.
Just as the Bridge to Nowhere is the perfect metaphor for rudderless national leader of the Republican Party, so the ski bum Bode Miller and his devil-may-care attitude toward spectacular failure on the world stage makes a fine stand-in for the President of the United States.
Compare the scorecards. Downhill, Combined, Super-G, Giant Slalom, Slalom ... 5th, Disqualified, Did Not Finish, 6th, Did Not Finish. Spygate, Iraq, Katrina, Torture, Port Security. Or pick your own issues, any issues. No medals, folks - just ignominy and embarrassment before the world. What Bode Miller is to Olympic triumph, George Bush is to Presidential history, flopping off the slick course of national politics like James Buchanan in Team USA spandex.
Of course, it's one thing to be an over-hyped, overweight slalom slacker hanging out till all hours in the bars of Turin, letting down your sponsors, your teammates, and your fans. To me, athletes never really let their countries down - that nationalistic stuff is just for T-shirt sales. The Olympic movement is about as idealistic as the Nike advertising budget. In the end, Bode Miller really disgraced no one but himself. His stupid little episode will fade, and his moment on the public stage is nearly at an end. George Bush's incredible failure will be with us for many, many years. Increasingly isolated (if that's possible) and with his dream team riddled by buckshot and scandal, our national ski bum has the country on the icy, dangerous downhill towards disaster.
George Bush in the flight suit on that carrier was Bode Miller in the Nike ads before the Olympics, all image and promise. No substance and sacrifice, no guts and inner fire. Here's what Mr. Miller told the (obviously angry) team at NBC Sports:
"The expectations were other people's. I'm comfortable with what I've accomplished, including at the Olympics ... I wanted to have fun here, to enjoy the Olympic experience, not be holed up in a closet and not ever leave your room. I got to party and socialize at an Olympic level ... I just did it my way. I'm not a martyr, and I'm not a do-gooder. I just want to go out and rock. And man, I rocked here."
Replace Olympics and Olympic with Presidency and Presidential, and how far are you really from the life and times of George W. Bush - who, after all, can always say he got to party and socialize on the Presidential level after a life partying and socializing on the silver spoon circuit.
Bode Miller is right. He is not a martyr. And he has absolutely nothing in common with the American men and women who are dying in our name in the streets of Iraqi cities as the Bush-triggered civil war rages. He has nothing in common with the 2,500 killed in Iraq and Afghanistan. He is nothing like the young Americans in military hospitals in Germany and Maryland and Texas and elsewhere, kids missing limbs and suffering paralysis and blindness, young people who time and time again tell the politicians and reporters who come around their beds: "I just want to get back to my unit."
Bode Miller is just another selfish American, another potent symbol of our self-satisfied society, but at least he doesn't ask more from others than he is willing to contribute himself. His failure is his own.
George Bush's failure is ours.
UPDATE: I have apparently offended Mr. Miller's "Bodelicious" fans by comparing him (favorably) to the President of the U.S. Here's a sample of the mail I'm getting: "I wanted to remind you - George W. Bush did not achieve anything, while Bode Miller has achieved a lot." I love this medium! (Oh, and for all you Bode defenders - nice how he treated his hometown newspaper columnist).



It is easy to forget in noting the quiet passing of an old man whose last major appearance was in an ill-fitting toupee replacing Norman Fell on Three's Company in the late 1970s that Don Knotts was one for the first comedians to make the move from small screen to big screen. A huge star in his time from his perfect pitch in the role of Mayberry lawman Barney Fife, Knotts left the small, black and white town for flicks like The Incredible Mr. Limpet, The Ghost and Mr. Chicken, The Reluctant Astronaut, The Shakiest Gun in the West and the Apple Dumpling Gang. In all them, he played the little man shaking with fear who finds himself in the big situations. They were funny and they made plenty of money: I saw at least two of them at drive-ins, sitting up on the tailgate of the red Chevrolet wagon in the muggy New Jersey night. But none of them topped Barney, one of the great television roles in the history of the medium - cast well and played to precision by Knotts, whose brand of comedy was the moral center for The Andy Griffth Show. Sure, the fake perfection of small-time Southern life in the 60s, devoid of civil rights battles and racial tension, was appealing in its strange way. But it would have all been short-lived pablum without Don Knotts, as the remnants of the show clearly revealed after he left the cast, and in the dreadful (but weirdly compelling in 2006) Mayberry RFD sequel. Andy, Aunt Bee, and Opie were fine and dandy - but Barney made the show a classic. Even today, the bumbling village lawman, rail thin, bug-eyed, with a single bullet in his shirt pocket for emergencies, a loser with visions of grandeur, still appeals. Just pure comedy. Especially today. Oh and this: in a clear sign of the times, his
Forty-four years ago yesterday, astronaut John Glenn became a national hero by orbiting the Earth in his tin can. A day later, Casey Stengel welcomed the first New York Mets to St. Petersburg, Florida. Today, I turn Hank Aaron's number - so humor this old man with a look at my peculiar, over-achieving class of yearmates, celebrity class. Early bloomers from the Class of 1962, you say? Clearly Darryl Strawberry qualifies, along with child star Jodie Foster, whose career lasted longer than Straw's, alas. Jennifer Jason Leigh (who can act) and Demi Moore (who can't) were brat-packers in their day, as was Matthew Broderick, who seems just to be hitting his stride. Tom Cruise, 44 this year, and Jon Bon Jovi (formerly John Bongiovanni from northern Jersey and 44 the week after next) have achieved matinee idol 40s glory. Jim Carrey, Ralph Fiennes, and Wesley Snipes have thriving careers. Porn star Ginger Lynn may have her best years, ah, behind her at this point. As does Paula Abdul, reduced now to judging American Idol. Garth Brooks is semi-retired, Axl Rose is semi-detached from reality, and Tommy Lee is entering reality show land. Doug Flutie drop-kicked an extra point in his final game before retirement, and Roger Clemens will pitch for the U.S.A. before hanging 'em up - or not. They are the two long, Hall of Fame careers for '62 sports stars. Rosie O'Donnell has similar staying power, not unlike frequent commenter Tom K., who shows a Rosie-like, er, tenacity (yeah that's the ticket) with his critiques of these posts (Fitz and Doug are also '62 babies). Still, my pick for male in a starring role from this class goes to Jon Stewart, the funniest man on television - and a mercifully late bloomer. Female category? Another brilliant late bloomer, the singer Sheryl Crow, whose voice carries every decade of our lives and brings it home with a soulful edge. Ah, what a year it was. And now to blow out the candles....
They closed down Wida's this year, one of the last traces of the roadhouse-style hotels that slaked workingman thirsts and provided a pillow near the beach for post-war generations up and down the Jersey Shore. The property on which it sat was just worth too much in the end. A crew has already gutted the old barroom, package store, and the vast, paneled dining rooms where large, extended families sat at straining tables piled with lobsters, blue crab, veal chops, and steaks. For decades, Wida's was the place of choice for our own brood, with its full baseball team of grandkids. It handled parties of 20 and 30 and more, and the enthusiastic noises of children at one end of the table never interfered much with a few quiet Heinekens taken at the other end after a long day in the surf or the shops on the boulevard.
Yet exist it does, and in ever-deepening hues of nationalistic grandeur, speed-enhancing technology, and vast frozen surfaces of strange competition. And so tonight we gathering by the flickering hearth of living color to gaze upon the opening festivities from the mountains of Torino, Italy, known among Catholic believers for the famous Shroud of Torino and as a short-lived Ford brand of sedan in the mid-70s. According to the NBC gonzos, Turin is an action - that is, what you should be doing in and around Torino, their favored non-English pronunciation, which I guess sounds more Euro-trashy to the Paris Hilton wannabes they hope will watch the bitchin' snowboard runs.
This face feigns complacency and confidence, but it shivers just below the clammy surface with cold, sweaty fear - fear based in the self-knowledge of internal incompetence, fear based in the flames of a middle east made worse by adventurous armchair soldiers and political hacks, fear that lies in a fumbling, failing American view of the future, brought to us by those who can only provide a bridge to nowhere. This Administration says bluntly: "you should be afraid, we are not strong, we must throw the law away or we will all perish."

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